January 2021.JPG




Patrick Bateman, Bret Easton Ellis’ anti-hero from American Psycho, worshiped Donald Trump for his success.  Perhaps that should have been enough of a warning for us – that a fictional, delusional, psychopath wanted to be Donald Trump.  Fiction and delusion have been hallmarks of the Trump Presidency, as the resurgent sales of Orwell’s 1984 testified to in 2016: Americans wanted a glimpse of their future. As for the psychology of the Forty-Fifth President: it is unwise for professionals in the field to make clinical assessments in the media of Trump’s state of mind – which a number in America have done - without proper medical consultation with the subject himself. That said…:

If you invite your supporters to attend a protest that ‘will be wild’; on the day, you address a mass rally and tell them ‘if you don’t fight like hell, you’re not going to have a country anymore’; and then disrespect your loyal deputy and the political party that supported you publicly, for following constitutional provisions, then – at best – your judgement must be questioned.  Poor judgement which contributed to the needless death of five people.  It is oft said that a politician’s career ends in failure: Donald Trump’s has been nothing but that – failure which surpasses that of Hoover and Nixon.


It is difficult for the British to appreciate the American political landscape.  The U.S. Democratic party maps to the British Tories.  There is no meaningful ‘left’ in American politics; there is hardly a ‘centre’ to speak of: to be labelled a liberal is generally a term of abuse.  Few, however, want to tap into the radical right or the far right for support to further their political careers.  Steve Bannon understood, however, that a disaffected and de-aligned right in America was looking for a voice: Bannon’s late inclusion on Trump’s campaign team won the 2016 Presidential election.  After 45 years of the neo-classical revival in economics morphing to a neo-libertarian orthodoxy in America, courting the radical and far right without being damned as being ‘of them’ became feasible.  They even rebranded themselves to appear acceptable: the ‘alt-right’ was born.  

Although Governments in Sweden, Hungry and Brazil might indicate otherwise, the ‘national populism’ movement may have burnt itself out as a political force.  Britain has ‘Brexited’, and Nigel Farage is going through another rebranding of his political party.  Marine Le Pen may have lost the French Presidential election, but she still garnered a third of the popular vote; and may be a credible candidate again for 2022.  There still is an appetite for this brand of ‘anti-modernity’: Trump polled over 74m votes in 2020, which is more than any other presidential candidate since 1945, whether Republican, Democrat or independent.  Bar one – Joe Biden, with 81,283,485 votes.  ‘National populism’ hasn’t gone away; but it has galvanised those opposed to it to a far greater degree.


Steve Bannon’s departure from the Trump White House was not the first from Team Trump, but with regards to a second term, it was possibly the most significant.  Bannon left in August 2017, not long after the Charlottesville ‘Unite the Right’ rally; and was derided by Trump thereafter as the principal source for Michael Wolff’s Fire and Fury.  This illustrated three trends in the Trump Presidency: the ‘revolving door’ of the Trump cabinet; ‘unattributed’ briefings on a dysfunctional administration; and ‘kiss and tell’ revelations.

There were those, of course, who never got on the bandwagon to begin with.  President George H W Bush – Bush41 – dismissed Trump as a ‘blowhard’, and voted for Democratic candidate Hillary Clinton in 2016.  This may also be true of his son, Bush43; but President George W Bush distinguished himself in a way he rarely did in office by calling out Washington under Trump thus: “I don’t like the racism and I don’t like the name-calling and I don’t like the people feeling alienated” Although slightly hackneyed and outdated in its phrasing, Bush43 summed up the storming of the Capital in stinging terms: ‘this is how election results are disputed in a banana republic — not our democratic republic”. The use of the fruit analogy may hark back to nineteenth century colonialism (and might be otherwise avoided), but as an indication of the Trump mentality, it encapsulates his backwardness.

For those who did sign on, many did not do so for long.  Four Secretaries of Sate (two acting); six National Security Advisors (two acting); five Secretaries for Defence (with three acting, including temporarily Mark Esper before returning permanently a month later): none of this speaks of stability.  Even those who have tolerated Trump for his term are leaving: “…[W]e are left to clean up the mess caused by violent protestors overrunning the U.S. Capital … There is no mistaking the impact your rhetoric had on the situation” (Betsy DeVos resignation letter, U.S. Secretary of Education 2017-21, 08JAN21). There is always a certain turnover in each administration; but in the case of Trump, this has become a churn, unless you are a direct relative, of course.

For those who are not part of the immediate Trump family, this discontent has regularly surfaced in print.  One of the most astonishing aspects of this was Trump himself giving Bob Woodward taped interviews: Trump had either not read Woodward’s Fear: Trump in the White House (2018), or didn’t care.  The resulting book Rage (2020) showed Trump in no better light; neither did John Bolton’s 2020 book on his time as National Security Advisor in the Trump White House – a book Trump tried to have banned.

The Bolton book aside, it wasn’t just Trump who didn’t care about the allegations of ‘locker room banter’, trysts and payoffs with an adult film star, an affair with a Playboy centrefold, ill-tempered and ill-judged tantrums over policy, nepotism … frankly anything: Trump supporters were not deflected – his national electoral vote went up by 11,231,894 2016-20.  This is where the modern phenomenon of fragmented internet communities becomes a problem.  It does not matter what the ‘general consensus’ is, there will always be a news source which fits more with your views and opinions.  That has always been the case; but now there is a justification why you can ignore ‘the truth’, spurious though this reason is: it must be ‘fake news’.


Donald Trump’s greatest legacy may be the creation of word salads, the ingredients of which are unfathomable.  ‘Bigly’ apparently existed before Trump, but it is unlikely any single individual has ever used the term as frequently.  The Atlantic, politely, listed out Trumps ‘vague source attribution’, which has allowed him to make unsubstantiated claims, ambiguously on the surface, which become a certainty to his true believers.  Should anyone contradict him publicly: ‘FAKE NEWS’!  That retort is tired, objectionable, and infuriating – it takes away any common basis for discussion.  Which may be the point.  The Kennedy brothers 1961-63 were whip sharp in complaining to the media if they felt they had been misrepresented.  There was, however, some decorum in this dialogue with the press: President Kennedy did not personally shout down and deride reporters in open press conferences, as Trump has done repeatedly, from before his inauguration.  There is a liberal bias to the U.S. media; but that does not mean they are wrong.  

Trump’s recourse has been to Twitter – to communicate directly to his congregation unfiltered from this media bias. Twitter is a commercial organisation, selling advertising space alongside the message feeds.  Trump’s 88m followers on @realDonaldTrump was the sort of audience Twitter wanted to tap into.  Not anymore, however.  It might be that Trump was tolerated by the Republican Party, and social media outlets, while he brought them a return.  He may not be ‘fake news’; but he will soon be yesterday’s news.  It will be President Biden on 20 January 2021.  Donald Trump now shares the notoriety of being permanently banned from Twitter along with Katie Hopkins – a commentator Trump regularly re-tweeted. Dumped by Facebook as well, repudiated by Republican Senators, and now impeached by the House of Representatives for a second time –– all these are limiting his relevancy for America.  If 17 Republican Senators vote with the Democrats and independents when the impeachment comes to trial, Trump would be barred from holding Federal office in the future – killing his vaunted 2024 bid for the Presidency dead, and sparing the Republicans further embarrassment: for a man who turned the U.S. Presidency into a reality TV show, this may be the ultimate failure.


There is no border wall between Mexico and the United States.  The Swamp has not been drained.  Climate change denial has become Trump administration policy.  There is no revival of the coal mining industry.  The military threat from North Korea still exists, and Iran no longer feels constrained in developing its nuclear technology.  The Affordable Care Act (‘Obama Care’) has not been repealed or revised.  It is difficult to see why Trump supporters think his time in office has been successful.  Essentially, Trump has been a ‘do nothing’ President; and that is the source of his ‘success’.  A broadly conservative policy, with little action beyond tax cuts and further deregulation, suits many.  Economic growth and job creation up to February 2020 might have been enough to have seen him re-elected.  Covid-19 changed all of that.  Federal policy and the commitment by Trump to deal effectively with the pandemic has been piecemeal at best.

At worst: as of 8 January 2021, 356,229 Americans have died of coronavirus; the CDC are projecting by the end of January that number will be as high as 438,000.  Let’s put that last figure into perspective: it represents SEVEN times the number of deaths suffered by American combatants in the Vietnam War.  No presidential term which ends with such little regard for the population, never mind the rule of law and the Constitution, can be judged a success.



I am an illustrator from London who graduated with a degree in BA Illustration from the University of Brighton in the UK. Influenced by the whimsical works of Dr. Seuss and the cartoons I watched growing up, I enjoy creating characters and stories that enchant and make people laugh. Using vivid colours and inspired by nature and animals as well as my love of food, my illustrations are bright and lucid and bring the world in my imagination to life.

I believe in using art to process and understand your emotions, and aim for people to relate to and find comfort in my comics and illustrations, exploring themes of self-reflection and personal development.






Rhye - Home (Album) 

Once a man hiding anonymously behind imagery of women on his artwork, Canadian singer-songwriter Rhye has built upon his discography spanning seven years. His latest effort ‘Home’ sees the artist build on his incredible voice behind emotive indie-r&b /soft pop music that dips into electronic sounds. This album has a funky feel but in a quieter manner with an increase in acoustic recording. Home connotes the literal and figurative meaning of going back to something you consider comfortable, be it an environment or person.

Swirling, lush and ambient in sound will keep you thinking during quieter moments of the day.

Recommended tracks:


Come In Closer

My Heart Bleeds


Healy - Tungsten (Album)

I discovered his song ‘Unwind’ in 2017 during my second year at University. Since then, he has released a number of singles in anticipation of his follow up to his debut album ‘Subluxe’. ‘Tungsten’ seems like a continuation of what made Subluxe a pleasant listening experience. His ability to blend indie melodies with lo-fi/Hip-Hop beats has always impressed his listeners and that formula does not seem to change with this effort.

The beautiful chords in the song ‘Deep Cuts’ are worth listening to while driving somewhere serene.

Recommended tracks:

Second Wind

Deep Cuts

Back On The Fence


Benny Sings ft Tom Misch – Nobody’s Fault (Single)

Dutch artist Benny Sings releases a new single in the form of ‘Nobody’s Fault’, featuring Londoner Tom Misch. The single is a pop tune looking back to the past with funk grooves carrying the bouncy piano in the background.
This song reminds me of a classic called ‘Lowdown’ by Boz Scaggs


Etta Bond - On A Beach, Champion Remix ft Double S (Single)

The original version of ‘On A Beach’ featuring Avelino first came out in early 2020 as part of a collection of songs called ‘2 METRES APART’ that would chronicle the love people are missing out on due to the ongoing pandemic. The song has now been revitalised into a garage cut ready to get your feet shuffling with production from Champion and verses from rapper Double S.


SZA – Good Days (Single)

The singer from St Louis released the follow up to hit single ‘Hit Different’ on Christmas Day with ‘Good Days’. ‘Good Days’ seems like an instrumental continuation from her debut album ‘Ctrl’ featuring an acoustic feel with swirling synths dominating the background of the track. Co-written with Jordan Collier, you can clearly feel the song writing influence in the guitar that Collier brings. The single alongside ‘Hit Different’ are signs that SZA is gearing up for an album release sometime in this year. Whenever she does, it’s sure to be fire.


Other albums worth checking out

Jazmine Sullivan – Heaux Tales

Alicia Keys - Alicia

Zayn - Nobody Is Listening 




January 30, 2021

What was your inspiration behind starting your business?

I set up my business in 2014 where there were very few small indie brands on Instagram, and I wanted to start my own as I frequently shopped from other jewellery brands and am a self-confessed jewellery addict! I am very inspired by Greek philosophy and mythology; the name came to me really easily!


What is your favourite product you have made so far?

My favourite products are our prints, I am so proud of how they turned out!

What is your most popular product?

Our most popular products are our mystery boxes by far - I think people really love the surprise factor.

What impact has the pandemic had on your business?

The pandemic has affected my business so positively and I'm so fortunate for the time in lockdown as it was a huge opportunity to commit to being a small business owner and really spend the time trying to grow.

Have you got any advice for anyone looking to start a small business at the moment?

My advice is that you have to find your 'Why', you have to have a goal or a business that really motivates you, as it will be your life! You have to really want to wake up every day and work your ass off - so you have to find your motivation & purpose for doing it!

Finally, if you could tell your younger self about Artemis, what would you say?

I would tell my younger self that I created a business selling jewellery and get to spend every day being creative and having so much fun! I'd say that I have an amazing team of women who work with me and that I get to decide when I work, how much I work and what to create... it's awesome!




The poems I write for my father are the colour of teardrops,
or rain. Like the latter, they fall
as per the natural order of things
and look gorgeous in street light.
In their movement from my eyes to the page,
the former’s refractive qualities never cease to
astound me: settling in a smudge
so naturally that I can’t help but wonder
how I got here. I push
the back of my hand against the notebook
and in the collective streak I understand.




It’s getting harder and harder to guess when and whether content will be released to the public, and we all know why at this point. But it’s still important to have entertaining content to look forward to, especially in the midst of a third lockdown.

There are plenty of movies from 2020 that have been pushed to 2021, plenty of original releases that may end up on our favourite streaming sites and plenty of movies like No Time To Die that will get pushed back even further. 

With Netflix’s recently announced price-hike it seems like they may be spending more money on purchasing delayed films. But that’s pure conjuncture surrounding a production studio that likely needs more investment on original content. But distributors might look to streaming so that they can avoid a complete dissolution of anticipation altogether.

With that in mind, February becomes a strange month to predict. In the UK it’s a month that trickles in ‘Oscar-bait’, the UK release of late-2020 US movies that are looking to get attention for the big awards ceremony. There are lots of high quality releases scheduled in, but no cinemas open to show them. So take some of these suggestions with a pinch of salt as you may see them a little later or right on time at a streamer near you.


Here’s the one that I’m 99.9% certain we’ll all see in the intended way. Malcolm & Marie sees John David Washington (TENET) and the now Emmy-winning Zendaya (Euphoria) teaming up with the creators of Euphoria with a film that was developed in the height of a pandemic.

It’s a stylised black and white film about a filmmaker who gets home with his girlfriend after a movie premiere and awaits imminent success. But their wait takes a turn as revelations surface and test the strength of their relationship. With a screenplay apparently written and finished in six days, it’s likely that Malcolm & Marie will lean heavily on the talent of these two actors, both on a major career-high right now. It’s not a love story, it’s the story of love.


Now we’re into the unknown, where will Another Round be released to the UK? Or will this be delayed? Hopefully not, because Another Round looks like a magnificent drama. 

Officially selected by the 2020 Toronto International Film Festival (TIFF), Another Round is a Danish comedy-drama directed by Thomas Vinterberg (Far From The Madding Crowd) and stars Mads Mikkelsen (Casino Royale). He plays one of four teachers who drink alcohol on a daily basis to maintain a 0.5% BAL and see how it affects their social and professional lives. 

It looks like a good bit of energised fun that could potentially pull on some heart strings. 


Promising Young Woman starring Carey Mulligan (An Education) looks particularly different to the themes of Another Round. The premise is best described as her character does in the film. Every week Mulligan’s character Cassie goes to a club, acts too drunk to stand and every week a ‘nice guy’ comes over to see if she’s okay. Every week she ousts these ‘nice guys’ in as savage a way possible. 

It’s very direct in its message and tonally seems like a no strings attached, brutal take on far too common real-world occurrences. Carey Mulligan is apparently the best she’s ever been and with support from Bo Burnham (Eighth Grade), Alison Brie (Community) and Christopher Mintz-Plasse (Superbad) I wouldn’t be surprised if this ends up being one to remember from 2021.


The first in nine episodes of Marvel’s WandaVision were released on January 15th to a solid critical reception and new episodes have been streaming every week since and will continue through February. It’s Marvel’s brave new entry to their cinematic universe starring Elizabeth Olsen (Avengers: Endgame) and Paul Bettany (A Knight’s Tale) as their two Avengers, Wanda and Vision. 

It’s a big departure from the films we’ve seen from them in the past in two ways; the fact that it’s their first of many fully-fledged series on Disney+ and the style is that of 20th Century suburban sitcoms. That novelty seems to be the draw to WandaVision, a stylistic unpredictability that drives a mournful central plot. WandaVision is a refreshing twist to a genre that could soon stagnate and it’s worth the watch.


The winner of the ‘best trailer’ award goes to Judas and the Black Messiah. It’s slick, gets the premise across clearly and doesn’t spoil a single thing about the plot whilst generating loads of excitement.

These reasons to get excited vary, but it’s Daniel Kaluuya that stands out. Directed by Shaka King, Judas and the Black Messiah is a biopic about the chairman of the Black Panther Party in late 1960s Illinois - Fred Hampton. The acting from Kaluuya and his supporting cast looks incredible and with a relevant, dramatic premise to work with, it surely has the potential to live up to current Oscars buzz. It premieres on HBO Max in the US on February 12th, meaning that negotiations are likely taking place over where in the UK it could make itself available on the 26th. Fingers crossed.


Just in case one or two of these picks gets inevitably pushed back to cater for a theatrical release, it’s important to have a back up these days. My choice? Netflix’s I Care A Lot starring Gone Girl’s Rosamund Pike and Game of Thrones’ Peter Dinklage. 

She’s a woman who deceives judges and makes her living by stealing from the elderly. But he’s a gangster that lands her in hot water because of a connection with her latest victim. It looks like good fun but, most of all, it looks like it’ll be released when it’s supposed to.



I’m Katie Richmond, aka @peachyinks over on Instagram. I am a 19 year old Character Designer, illustrator and animation artist working from home. 
For as long as I can remember 2d animation has been all that I live and breath, admiring those such as Walt Disney, Hannah Barbera and Ardman. 
As you may see all my doodles burst with colour, because I feel that if you see something that oozes happy then you yourself become happy too; the thought of bringing a pocket of joy to someone’s day is my biggest inspiration of all.
I work mainly digitally using procreate... although ye olde paper does come in handy when people watching in cafes.
Hope you enjoy browsing my artsy brain dump.
Your artist
Katie Richmond






January 30, 2021

Sixteen-year-old Starr Carter moves between two worlds: the poor neighbourhood where she lives and the fancy suburban prep school she attends. The uneasy balance between these worlds is shattered when Starr witnesses the fatal shooting of her childhood best friend Khalil at the hands of a police officer. Khalil was unarmed.

Soon afterward, his death is a national headline. Some are calling him a thug, maybe even a drug dealer and a gangbanger. Protesters are taking to the streets in Khalil's name. Some cops and the local drug lord try to intimidate Starr and her family. What everyone wants to know is: what really went down that night? And the only person alive who can answer that is Starr.

But what Starr does or does not say could upend her community. It could also endanger her life.

With the upcoming release of Concrete Rose by Angie Thomas I had to once again read The Hate You Give. Especially as the latest book is said to be a prequel.  

The Hate You Give is about how Starr deals with the aftermath of watching her childhood friend shot and killed by a police officer. Khalil had done nothing wrong. Starr is afraid to speak out about what she saw. But she is also angry, angry that the police officer that killed Khalil is likely to walk free. We see through Starr’s eyes how the media portray people like her, young and black, and living in a rough neighbourhood must mean that they are guilty. Guilty and must prove their innocence. 

As well as following Starr whilst she deals with the death of her childhood best friend, we also follow Starr having to co-ordinate life at the suburban prep-school that she attends. With her white friends who do not really know her, just the version of her she wants them to see. The white boyfriend she is scared to take home to meet her parents. All the while having to work out a way to be heard, to challenge the very judicial systems that supports the actions of the police officers she fears. 

This book is something I think everyone should read; the often-uncomfortable subjects that are covered are done so by Thomas in a way that means they are not cliched in anyway. This maybe a work of fiction but it follows very real-life situations. I have always been told that if I was in trouble and I needed some help that I was to call the police. This book details a whole other set of feelings, about the police and how instead of them feeling like they are being protected they are likely to be the ones that cause their death. 

I am not going to pretend to know what it feels like to be scared at being pulled over in a car just because of my colour. What Thomas does in this book is gives you just a glimmer of what it could be like to live in those shoes. 

There are books that stay with you for a long time after you have read it. This one will not ever leave me. This will be a book I will continue to read and recommend.




Two thousand and twenty
To some, this is merely words strung together to make up a number

To others, it is so much more than that
It represents the year that no one saw coming

A year of uncertainty, setbacks, chaos

A new year is now upon us People breathe a sigh of relief;

“No more 2020,
No more.”

But instead of erasing this off a chalk board

Tucking it into the back of a draw
And laying it to rest at long last
We should use this

To reflect
To acknowledge

What have we learned?

Where do we go from here?

2020 was the year we gave nature a chance
In the beginning, people disappeared behind closed doors

And for the first time, in a very long time
The Earth began to heal

Mother Nature awoke from her heavy slumber;
Fish and dolphins swam into the clear water of the Venetian canals;

Mountain goats wandered the streets of Wales;
The hole in the ozone layer began to close

For the first time,
Light pollution in cities reduced to a level low enough
For you to see a deep blue blanket of stars stretched across the sky

Even from within a city centre

All this, simply because humans vanished for a few months Leaving the Earth be.

We saw the great impact we have
And the great we can achieve if we change our harmful habits

2020 was the year humans learned to appreciate more

Phones were pocketed, laptops shut down
We stepped outside onto fresh grass and breathed in clean air

Smiling for the first time at something that wasn’t on a phone

We spent more time with family Cherished the good memories being formulated We tested new skills, refined old hobbies
We learned to laugh more, play more, smile more

We opened books
Pounded out the door for our first run

Put pencil to paper
Sat down at a piano and began to learn

2020 came with its many struggles
Its ups and its downs
But if we use these to pave the way for growth in the new year

We can become stronger and more unified than ever before

Two thousand and twenty one

A new number
A fresh page
Another chance

Take what you have learned from two thousand and twenty

And use this
To learn, acknowledge
And grow

And perhaps one day
We will look back on two thousand and twenty one
From a world that is more unified, more aware, more protective

Of both the planet, and of one another.



 Millie Sandy is a textile designer specialising in print and illustration, displaying playful but considered imagery alongside bright, abstracted prints. With a passion for narrative and the creative process behind a concept, Millie tells stories through crayon, collage and paint to materialise her weird and wonderful imagination, inspired by both her natural and mundane surroundings. As well as print, these illustrations appear in the form ceramics, soft furnishings and one-off garments, all vocalising a cleverly crafted message regarding care for both people and the planet. 





January 30, 2021

Whilst in this lockdown, I’ve been trying to educate myself, as a lot of people have, with online courses. This has caused me to be reflective on the things I am really interested in, starting with fashion and sustainability. So, without further ado…

My manifesto.

FACT: The world now consumes about 80 million new pieces of clothing every year. This is 400% more than the amount we consumed just 20 years ago. The UK alone threw away £12.5 billion worth of clothing in 2017, leading to 300,000 tonnes of textiles ending up in landfill. This is crazy, and we need to sort out our consumption and capitalistic demand for more and more, continuously replacing garments, equipment and items. "Getting the next best thing" has become an addiction for consumers. This is a toxic business strategy for customers and more importantly the Earth.

VALUE: I value fashion, I like looking at styles, buying individual items and piecing them together to make an outfit. It makes me feel good. But what I love more is savouring those items and making memories with them. Making them last. If I constantly bought new things the old stuff wouldn't be as special to me as I would constantly want more. We have become addicted to finding the next thing we want after receiving that 'serotonin rush' of a new purchase, which has only increased with current lockdown restrictions associated with the global pandemic. This is due to the marketing of businesses, and the way people get you to buy their new product. Subliminal messages that make you feel that you really need those new pairs of shoes. This leads me onto my vision.

VISION: I want to live in a world that does not focus on the next big hit on the global market and getting customers 'hooked' on their product. This is essentially a drug. I want customers to feel good in clothes and feel good that they've come from a good place. This includes providing clear transparent supply chains, using eco-friendly raw materials that are long lasting and that, when done with them, don't harm the environment, but are decomposable and give back to the Earth. I want brands to celebrate their partnership with the environment, and proactively protect nature, for example with funding for appropriate tree planting schemes or ecological initiatives to combat carbon emissions.

CHANGE: So, what needs to change? Essentially, business models need to change. Business is a driver of change and it can lead the world to a better place. The design for how businesses work needs a good reshuffle, into prioritising not just profits and customers, but with the earth in mind too. Because if we don't change up how businesses are impacting our planet, soon we won't have one. Now, COVID-19 has been truly dreadful in its social impacts across the globe, but it does give us one thing: a chance to start again. A fresh start to reconsider what really matters and put in place regulations to protect it. We need to take accountability for our actions and our planet. We need businesses and governments alike to take ownership and put in place sustainable long-term solutions into our daily practices, not just a few projects and some good words on the side (sorry Boris we know you got a lot on your plate right now). It’s how we rebuild our businesses post-COVID that will determine the success of the future, for the UK and globally.

I also think at the moment, sustainability is still a niche "trendy" thing within business, therefore sustainably sourced materials are hard to come by, costing a premium and also posing a risk to suppliers if the demand for it is not significant. What is great to see is that people are talking about it, normalising it and creating initiatives to make the subject mainstream and the norm, because it has to be. Soon, I hope, sustainability won't just be a side-line gimmick to business, but integrated throughout the supply chain, and integral to any business design. This hopefully will decrease prices and become the new normal. Fingers crossed.

COMMITMENT: My commitment to you. I guess I am committed to prosperity. Not just for the longevity of clothes, or to keep a thriving business going, but to keep this planet as beautiful as it is, for as long as we can. For future generations to come. I am committed to giving young people a sense of style that they are proud to wear. Quality clothing that makes them feel good for what they've done for the environment. I am committed to changing supply chains, opening up about practices in the entirety of the fashion business model. Creating and not destroying. I want to see change in bigger companies, not just within fashion, a real commitment from them to show that they care about the planet they are inhabiting right now. There are great conglomerates that are showcasing this: Amazon for example has committed to running their business on 100% renewable energy by 2025, and to reach net zero carbon by 2040. The same with Tesla. Companies are changing and it is great to see, but it is not enough. As Elon Musk sums up perfectly: “Good things are happening…on a lot of levels. We just need to go faster.” I want to be part of the movement that gets us to where we need to be, sooner rather than later.







Bina (stylised as BINA.) is a British singer-song writer from London.

The songstress blends B&B and Neo-Soul with Jazz elements in her music to create a pleasant listening experience. Boundaries is my favourite track, showcasing her somewhat dark and mature voice complimenting the horn driven instrumental.



Caged Bird

Changing Currents – Fruit Juice ft BINA.


El Londo

A bit different by showcasing a producer, but producers have long deserved credit for the instrumentation they create for artists

El Londo is a rising producer with an already impressive discography of UK Hip Hop beats for various rappers in the scene. His frequent collaboration with Ashbeck resulted in song ‘Cooli’  racking up over a million views from their collaborative project ‘Ashlondo’. A follow up ‘Ashlondo 2’ was released right at the beginning of 2021 with ‘Booli’(somewhat of a sister track to the previously mentioned ‘Cooli’) being on repeat.

Recommended tracks produced by El Londo

You Get It by Bawo

Paranoid Psychosis by Frenzy

Booli by Ashbeck x El Londo

Karma by Ashbeck x El Londo







January 30, 2021

I tried to get into football when I was in my early teens. I wanted to make more friends, and so, an unlikely, initially ironic, desire to play for one of my school’s sports teams grew somehow into an unlikely passion. While it was initially a calculated move, I fell in love with the sport. For a few years I was football fan first, human being second. The vast amount of primary source material and secondary literature to consume in order to keep up a conversation with another football fan is incredibly daunting. It can encompass - depending on your nation’s last World Cup success - almost fifty years of facts, anecdotes, and detailed player biographies. As I’d fallen head over heels with the sport at the peak of my GCSE exams, I can vividly recall forgetting how to spell relatively simple Latin words we had been revising for over a year, yet in my English exam I was able to write about German side Borussia Dortmund’s attacking trio of complex names: Pierre-Emerick Aubameyang, Robert Lewandowski and Jakub Błaszczykowski. 

Once my godfather, the only member of my family who was also interested in football, heard about my new love for sport, he took me to my first live match. I could tell he was overjoyed to finally make good on his vow that his godson would be a Gunner. The first three matches I attended ended in 3-0, 2-0, and 2-1 wins. Sufficiently impressed with this team’s apparently consistent high performances, I declared myself to be an Arsenal fan, to the delight of my godfather, and embarked on a bumpy journey that will last me my lifetime. 

During my honeymoon period with the club, my bedroom began to more closely resemble the Arsenal fan shop. It filled me with pride to see Arsenal icons in red-and-white looking down at me while I tried to tie a tie in the mornings before I went to school. It’s really interesting how much of a role merchandise plays in being a football fan, and how it can affect your mood in such vastly different ways. The minimum financial commitment for a fan in England besides semi-regular match tickets is probably a jersey and a scarf. Depending on the club, this can either be around £30 or even up to £100, which is why most shirts are a lifelong investment (or at least, one you can wear until you outgrow it). I remember when I got my first Arsenal jersey. It was the summer of 2014, just after the World Cup had concluded and Arsenal had signed Chilean playmaker Alexis Sanchez from Barcelona for a fee of just over £30 million. I’d seen Sanchez play at the World Cup, and although he wasn’t playing for any of the teams I was personally rooting for - England, then Columbia, then Germany - I knew the name, and saw his skills. I decided he would be on the back of my first shirt, partially because I felt he’d be a success at the club but also because both of us were new arrivals to Arsenal. I uploaded the photo of me wearing my new shirt to Facebook when I got it, and the likes I received from my godfather’s family and a few Arsenal fans I knew made it clear that I had made a good choice. I threw myself into my new hobby with a creative passion, adding to it all the time, decking my room out with every bright piece of merchandise that drifted into my way. After securing the shirt (and in short order, the scarf) I added two posters to my wall, one of five Arsenal players all of whom have since left the club, the other a large poster of German playmaker, Mesut Ozil. By the following year I had amassed an Arsenal branded winter gear, another Sanchez shirt, Arsenal blankets, as well as stickers, badges and an Arsenal wallet. 

But it was only a matter of time before Arsenal tumbled short of my dreams. That feeling of pride, as any sports fan will tell you, can sour very quickly, and it’s a feeling primarily dependent on results. I knew of people who having seen a bad performance by their team would throw things at or around the TV, but I didn’t foresee myself having anything like those kind of tantrums - but perhaps the reality was we did not have Sky TV, so I was often spared the experience of seeing them lose in real time. The closest I managed to plumbing the depths of the anger one can reach when confronted with a bad display from a sports team was in February of 2015, when the Gunners lost 3-1 against Monaco in the Champions League Round of 16. As we had no means of watching the game, I remember being sat in my room, covered head to toe in red and white, scarf and all, listening to BBC Radio 5Live describe in painful detail how poorly may team were performing. One specific moment sticks out; the game was deep into injury time after we’d scored a consolation goal and were expected to lose 2-1. A Monaco counter-attack ended in the third away goal for the French side and Mesut Ozil was being rebuked by the commentator for not running back to help his side. At full time I was overcome with disappointment, my red-and-white suit of armour had transformed into an iron maiden of shame, and wherever I looked, Arsenal memorabilia taunted and depressed me. Of course, I looked at the wall and saw Ozil’s joyful face, and my bitter disappointment at the loss combined with the commentator’s dressing down of the German midfielder led me to blame him for the loss. I ripped the poster off the wall before sinking into a ball and crying.

This year Arsenal have made their worst start to a season since 1976, and are so far the lowest-performing member of the so-called ‘Big Six’ of the top division of English football. Whilst we still support our beleaguered former club captain at the helm, it’s tough being a fan at the moment when the team’s position is a far cry from the heady days of regular Champions League. I’m not ripping down posters or crying but it still hurts when your team are doing badly and even more so when those losses keep on coming. It seems like it should be the easiest thing in the world to walk away from the pain but the moments of joy, the great goals, the camaraderie, the pre-match atmosphere and the chants keep you coming back to the stadium. And in the times when you cannot attend the matches, the encyclopaedic knowledge of the players (the position they play, the foot they prefer, where they were born and who they represent internationally), the memories of famous moments and the everlasting desire to watch and support this team, sustains you. It’s a bit like Stockholm Syndrome, but I’ve not been captured – my soul has. Those early experiences of joy and pain have not gone away, and seven years on I am still here for better or for worse, nailing my red-and-white colours to the mast.  




not one of you can imagine the unknown burdens i have carried

the weight of my history bearing me ceaselessly into the past

the skeletons in our closets might tumble out now and then, kitsch trinkets of a phantom land blotted out from maps and passports

however far we’ve travelled, my ancestors scattered upon the globe like dice, the trail we left behind bleeds through

who could possibly learn to love my poisoned bloodline

i have often dreamt of rewriting my life in hopes of telling my daughter of a golden past, where antiques glitter and stiff grey scale photographs are thumbed fondly and proudly. but instead i remember why i was raised as a child of the future

the blood in our veins is only real when it is spilled, and mine looks thick and black when it pours into your hands

since i have learned of myself, i bear my secrets forward, ceaselessly into the dawn



ski - emma .jpg




January 30, 2021

One month into the new year and we are still longing for all of the experiences and opportunities we missed in 2020. A year when ‘furlough’, ‘tier’, and ‘bubble’ became regular words in our vocabulary, and mask-wearing became the new normal. A lucky few may have managed to travel between restrictions, but many still long to extend their exploration beyond their overfamiliar paths and trails. This winter, one thing on a lot of people’s minds is…when will we be able to go skiing?

Pre-COVID Avalanche

Back in those misty ‘life before COVID days, most snow enthusiasts would have their ski fix all planned out, from their sitting room. The smell of fresh alpine air and the feeling of skiing down an empty run with the only concern being where to go for lunch, or what time to head to après - nothing quite compares. However, like many of our other hopes and dreams this year, the pandemic and ongoing travel restrictions have prevented us from fulfilling our escape to the snowy mountains. This is not only a major blow for keen skiers and boarders, but resort closures have also caused an avalanche of problems for the industry as a whole. When Coronavirus spread rapidly through the Alps in late February and early March, workers were suddenly sent home and resorts forced to shut down earlier than anticipated.   


The Current Piste Map

Not only did resorts suffer from losing tourists in the Easter months, but they have now missed out on the lucrative festive season. It is also likely the chances of February skiing, usually a peak time for families during the school holidays, are melting away too. Could this be the perfect storm for more company closures in the ski travel industry? Sadly, this has already been the case for the big ski operator, Alpine Elements, who have closed after 23 years in business, along with VIP Ski. No doubt more will follow in their tracks. Switzerland is currently the only European country with resorts open to its Swiss residents. Resorts such as Verbier and Zermatt, have had to implement new rules and guidelines to ensure the safety of visitors, which will likely be copied by other European resorts once they re-open. This includes wearing a face covering, increased social distancing in lift queues, and riding a chair lift with your own household. An early attempt by the Italian ski resort of Cervinia was an instant failure, with a chaotic crush of queuing skiers. The resort attempted to open for high altitude autumnal skiing on 24th October, with an effort to adhere to Covid safety measures, but was quickly closed the next day by the Italian government after long queue pictures went viral. Hopefully other resorts won’t make the same mistakes.

The alpine workforce includes approximately 25,000 UK seasonnaires, most of whom would be fulfilling an adventure before starting University or settling down to their longer-term life aim. The combined hit of COVID and Brexit have robbed many of them of this opportunity. Despite British tourists’ preference for British staff, EU regulations will require local employers to confirm jobs are preferentially available first to local workers. This is yet another missed opportunity for the 20-30 age group already hard-hit by COVID.

For the avid hot chocolate stopper, cheese fondue lover or Folie Douce goer, many restaurants and bars remain closed. There is definitely no chance of people dancing on tables to ABBA with an overpriced beer in hand. On the one hand, this will reduce the number of drunken ski injuries, but on the other hand, it begs the question- does a ski holiday without après cut it on the alpine fun score?

A Post-COVID Skiing Future?

So, what can we expect from a ski holiday post-COVID and what are the long-term effects on the industry? Visit most ski holiday booking websites and you’ll find that operators, wishing to salvage the industry, are pushing customers hard with deals for the 2021/22 season. They have been forced to include persuasive flexible booking deals, cancellation guarantees, and robust COVID safety measures. On a positive note, there are early signs that skiers and boarders are by nature optimistic, and surveys already suggest an eagerness to return, but the nature of a ski holiday may have changed. The alpine ski fix for some could have morphed into ski touring and cross-country skiing. For many this could fit with their desire for a more natural and sustainable experience. Travelling to resorts could also be increasingly by rail, which will feel safer. The buzz of a shared chalet is out of step with the current climate, and self-catering accommodation and private chalets will adapt best, although this could favour wealthy clients who can afford the price of privacy. 

Trying to predict the future of skiing is like looking into a recently shaken snow globe. We hope that there is a pretty alpine scene to be revealed but it’s far from being clear. We know there is pent-up demand from industry surveys and resorts are rushing to adapt. Winter sports enthusiasts might be persuaded in greater numbers to plan alpine summer activities, and indirectly protect the ski industry. The alpine experience may have forever changed, but the COVID challenge has perhaps shown us we have a deeper emotional connection with our outdoor environment, and mountains in particular. 



When my country gave away its might, the rivers ran dry first.
Pulse stopping, veins emptying all the way to the heart.
They say the Sea will dissipate, retreat into its salt. 
And when the alkaline body loses both of its shores:
it’s going to swallow us whole. A retaliation for the shrinking.
I want to tell them I’m not ready. I’m still floating in its stinging dream,
still feeling its hotness, still surrendering to its upwards lift
where the body realizes flight. Where does
a dead thing keep its bones in a place like this? I thought
they calloused at the shoreline, glistened white under a melting sun. 
The deadwater catches up to me. Pulls me into the brine,
turns me up buoyant on some distant coast. A Dead Sea dying, stomaching
all it can, praying for a final chance to flood.



Alongside my career in editing, digital media, and content creation, I’ve always had a love of vivid, psychedelic watercolour painting; it’s the inside of what my head looks like. I love madly colourful scenes and making everything that much brighter. When I’m not painting kaleidoscopic pictures, I love to create and sew my own clothes and outfits too.




January 30, 2021

When I think of the term ‘cutlets’, I think of meat. I think of blood-dripping, mouth-savaging meat. I don’t like meat. I don’t eat it. But I like the word cutlets. And I don’t think it should apply specifically to meat cutlets… what’s wrong with using 'cutlets' as a cringy little life metaphor? Is life not a long slab of meat, or tofu, or whatever your preference is? Is it not just broken down into little cutlets, for memory purposes, if nothing else? 

Once you slice a cutlet, the sever cannot be undone. It’s not like a cooking-induced, chopped-off thumb… there’s rarely a doctor to neatly stitch back together our old lives, after we ruthlessly, or perhaps unknowingly, cut through them with application forms, tickets booked and ‘gut feelings’. 

Most of the time, we cannot amend the bad decisions we make, the trajectory we take. Sometimes we don’t want to mend it, though, sometimes, we cut into our slice of life at the right time. For example, you choose the right A-Levels, then cut through to choosing the right undergrad course, and getting the right mortgage at the right time on a semi in the suburbs. Such life cutlets are clean, relatively blood-free and downright commendable. I have a theory that the people with such life cutlets are behind the seeming testimonies for lockdown (masked as ‘relevant news articles’ on my twitter feed); ‘I wrote a whole novel in lockdown, thanks Corona!’ or ‘I mastered Latin with all the spare time!’.

But what about the rest of us? The two-thirds of Brits who are unfulfilled, according to the Independent? The nine out of ten British youths reporting a lack of purpose or focus? What about their life cutlets? Their experience of lockdown? It’s evident that their experience is far more wide-reaching and realistic than the productivity-driven craze the media present. We’re human; we’re imperfect; yet ‘laziness’ is increasingly frowned upon in our overactive society. The above stats make me wonder how we don’t embrace the directionless wave drowning young people. It’s endemic, and yet we don’t, or won’t, talk about it. Seriously, think about it… most people are discontented enough with their life cutlets that they are willing to confess it to the media, need there be more evidence to confirm that we’re doing something wrong? 

Even by University, I think most of us know what regret, the pioneer of unfulfillment later in life, feels like. I’m talking about the type of regret that's irreparable, and makes you sweat if you get to thinking about it too much. The magnitude of such regret can feed a fiction-filled alternative fate, which we feel we could have made a reality if only our life cutlets were less contaminated by our own vices. This longing can deepen the regret, make it stick to your brain like gum on your Nike. I think a lot of us won’t admit it, and we’ll shroud it in Insta-throwbacks, and social media flaunt-attacks, but we know, deep down in the pits of our stomachs, that our lives are not the sitcoms we’re presenting them to be. 

But what if the world began to rejoice at wonky, questionable cutlets of life? What if, and the clean-cut types might flinch at this, we celebrated mediocracy? What if ‘A Day in the Life’ videos didn’t shame the rest of us into brewing our own kombucha and meditating before sunrise? What if we stopped only posting highlights, and starting accurately describing our lives without being labelled ‘brave’ and ‘honest’? We’re holding humanity to a low standard when telling the truth is considered an act of bravery.

So, does that make every ‘social media is my trophy cabinet’ type a coward? Does it make all the people who seem to have it so together (that you feel they should come with a trigger-warning) toxic? No. Why? Because, and this is the real catch, they’re just better at hiding their shit than you and I. I mean, who is genuinely, permanently content with a semi in the suburbs? The two-thirds of Brits living in them aren’t. 

Sadly, life doesn’t tend to incise as neatly as a knife cuts meat. It’s worth remembering this if ever you're stuck wondering, in the middle of a lockdown, why your life feels especially messy.